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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    domingo, agosto 21, 2011

    Até Sean Penn entra na polemica contra Árvore da Vida

    Amplify’d from www.newyorker.com

    Sean Penn vs. Terrence Malick

    penn_opt.jpg
    Posted by Richard Brody

    I didn’t at all find on the screen the emotion of the script, which is the most magnificent one that I’ve ever read. A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I’m still trying to figure out what I’m doing there and what I was supposed to add in that context! What’s more, Terry himself never managed to explain it to me clearly.
    “The Tree of Life” is a marvel, Penn is very good in it—but Malick wasn’t shooting it for the pleasure or the benefit of the actors.
    The star system, the flatteries of celebrity—and, for that matter, the temperament that makes a person become an actor in the first place—contribute much to an actor’s sense that a movie is, or should be, all about him. There are some movies—and some great ones—in which this is so. But in “The Tree of Life,” Penn’s unhappy and unexpected less really is more.
    Read more at www.newyorker.com
     

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