A historia pelo controle da série Milênio é quase tão interessante quanto os próprios livros

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The Girl Who Wanted Revenge

The French edition of Eva Gabrielsson's memoirBy now, the books have acquired their own creation myth: Long-suffering investigative journalist decides to write a mystery novel (the proceeds of which he and his longtime partner plan to retire on), bangs out three lengthy volumes in two years, then, in 2004, not long after submitting the manuscripts, drops dead from too much coffee and fast food. He does not see the books become international bestsellers, nor is he around to see his partner shut out of his legacy when his father and brother claim his estate—including control over his work—for themselves.

In Gabrielsson's view, Larsson's work was his life, and his life was also her life, and now all of it has been hijacked

In Gabrielsson's view, Larsson's work was his life, and his life was also her life, and now all of it has been hijacked.

it is the account of Larsson's (and by extension Lisbeth Salander's) feminism that is most fascinating. Famously, this feminism is said to have originated in a rape that he witnessed as an adolescent. Gabrielsson confirms the story, explaining that he was horrified by the way modern society ignored violence against women. And so Larsson dreamed into existence Lisbeth Salander, an asocial young woman with a dark past, a superheroic skill for computer hacking, and a deep desire to exact revenge, both on her own abusers and on a misogynist society at large. Read more at www.slate.com

 

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